The Secret Plot to Kill George Washington

by Brad Meltzer and Josh Mensch

In 1776, an elite group of soldiers were handpicked to serve as George Washington’s bodyguards. Washington trusted them; relied on them. But unbeknownst to Washington, some of them were part of a treasonous plan. In the months leading up to the Revolutionary War, these traitorous soldiers, along with the Governor of New York, William Tryon, and Mayor David Mathews, launched a deadly plot against the most important member of the military: George Washington himself.

The First Conspiracy is the story of the secret plot and how it was revealed. It is a story of leaders, liars, counterfeiters, and jailhouse confessors. It also shows just how hard the battle was for George Washington and how close America was to losing the Revolutionary War.

In this historical page-turner, New York Times bestselling author Brad Meltzer teams up with American history writer and documentary television producer, Josh Mensch to unravel the shocking true story behind what has previously been a footnote in the pages of history. Meltzer and Mensch capture in riveting detail how George Washington not only defeated the most powerful military force in the world, but also uncovered the secret plot against him in the tumultuous days leading up to July 4, 1776. Keep reading for an excerpt of The First Conspiracy.

* * * * *

New York, New York

April 1776

The trap is set.

It’s quiet on this night. Moonlight shines over a clearing in a dense wood.

The silence is broken by the drumbeat of hooves in the distance, growing steadily louder. Soon several uniformed men on horseback emerge from the blackness. The party halts not far from a large wooden manor house that sits at the clearing’s edge. A few of the riders dismount and prime their muskets, standing guard. They scan the clearing, apparently thinking all is safe.

They’re wrong.

A moment later, another rider steps down from his horse. He’s taller than the rest and wears a long officer’s coat.

His name is George Washington, the Commander-in-Chief of the Continental army.

There is a traitorous plan against him. He has no idea it’s coming.

For the last ten months, since the day he was appointed to his command, Washington has had a nearly impossible task: to organize a scattered mess of backwoods militias and untrained volunteers into a functioning national army. And not just any army. This small, inexperienced, poorly equipped group of soldiers needs to stand up to what is probably the biggest and most powerful military force in the world. By any normal measure, they don’t stand a chance—and Washington knows this, just as he knows that with every decision he makes, thousands of young soldiers’ lives could be lost.

Tonight, even more is at risk.

Washington has just arrived in the western woods of Manhattan, about two miles north of New York City’s bustling commercial district, which covers the island’s southern tip. He’s just finished a weeklong journey from Boston, and he’s here now to fortify the city against the first major British offensive of the war. What he’s facing is terrifying: Sometime in the next few weeks or months, a massive fleet of the vaunted British navy will swarm into New York Harbor—hundreds of ships and tens of thousands of soldiers prepared to invade the city.

They’re coming. It’s just a question of when.

The colonies have placed all their hope and trust in him. It is up to this one man, George Washington, to lead the small Continental army and withstand the massive attack.

Tonight, among the soldiers accompanying Washington, a few are dressed differently from the rest, in short blue-and-white coats with brass buttons. They’re known as the “Life Guards,” an elite group of specially trained soldiers handpicked to serve as Washington’s bodyguards. He takes particular pride in these men, whom he trusts above all others.

In the faint moonlight, Washington walks slowly toward the nearby manor house that will serve as his lodging for the next few critical weeks before the British attack.

Charles Willson Peale (American, 1741-1827). George Washington, 1776. Oil on canvas, 44 x 38 5/16 in. (111.7 x 97.3 cm). Brooklyn Museum, Dick S. Ramsay Fund, 34.1178

Yet what George Washington doesn’t know is that here in Manhattan, the coming battle isn’t the only thing he should fear.

There are other enemies waiting for him—enemies more dangerous than even the British army.

At this exact moment, three miles away due southeast in New York Harbor, a ship is anchored in the darkness. On board is one of the most powerful men of the colonies—the exiled Governor of New York—and he is masterminding a clandestine plan to sabotage the colonies’ rebellion. In the dead of night, small boats carrying spies shuttle back and forth to him, delivering intelligence from shore.

At the same time, two miles away from where Washington now stands, the Mayor of New York City, working in concert with the Governor, carries a secret cache of money. His plan is to tempt Washington’s soldiers to betray their army and their countrymen in a breathtaking act of treason.

And several blocks from the Mayor’s office, in one of the city’s underground jails, three prisoners whisper to each other in a dank cell, out of earshot of the guards. They have no idea that their quiet murmurs could change the future of the continent.

They are all players in an extraordinary plot:

A deadly plot against George Washington.

Most extraordinary of all, some of the key members of this plot are in George Washington’s own inner circle—the very men in whom he has placed his greatest trust.

You could call it America’s first great conspiracy—but at this moment, America doesn’t yet exist.

Some of the details of this scheme are still shrouded in mystery, but history provides enough clues for an astonishing story. This is a story of soldiers, spies, traitors, Redcoats, turncoats, criminals, prostitutes, politicians, great men, terrible men, and before it’s over, the largest public execution at the time ever to take place on North American shores. It all happens, amazingly, within days of the signing of the Declaration of Independence.

That’s not all. The discovery of this plot, and the effort to investigate it, will lead colonial authorities to devise new systems of intelligence gathering and counterespionage. In many ways, this plot against George Washington would lead to the creation of a whole new field of American spycraft—now known as counterintelligence.

At its center is a deadly conspiracy against the one man on whose life the very future of America depends.


BRAD MELTZER is the #1 New York Times bestselling author of The Escape Artist, The Inner Circle, and many other bestselling thrillers, as well as the “Ordinary People Change the World” series. He is also the host of the History Channel TV shows Brad Meltzer’s Decoded and Brad Meltzer’s Lost History, which he used to help find the missing 9/11 flag that the firefighters raised at Ground Zero.

JOSH MENSCH is a writer and documentary television producer with a focus on American history and culture. He has produced, written and directed series for PBS, National Geographic, A&E, Discovery and other networks. He was also the showrunner on Brad Meltzer’s Lost History for the History Channel. Josh is a graduate of Princeton and Columbia Universities, and lives in Brooklyn with his family.

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The Battle for Blair Mountain

by Jess Montgomery

“Well. At least we weren’t coal miners.”

I heard that many a time, at family reunions or other gatherings, as I grew up.

On the surface, it sounds, well. snooty. Or worse—condescending.

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Queen Victoria: Twenty-Four Days That Changed Her Life

by Lucy Worsley

Drawing from the vast collection of Victoria’s correspondence and the rich documentation of her life, author Lucy Worsley recreates twenty-four of the most important days in Victoria’s life. Each day gives a glimpse into the identity of this powerful, difficult queen and the contradictions that defined her. Queen Victoria is an intimate introduction to one of Britain’s most iconic rulers as a wife and widow, mother and matriarch, and above all, a woman of her time. Keep reading for an excerpt.

* * * * *

‘I will be good’: Kensington Palace, March 11, 1830

Her teacher hands her a book. Folded within its pages is a chart listing Britain’s kings and queens. Victoria, in her white dress and coral necklace, has pretty light brown hair and a chubby lower lip that tends to fall open unless she remembers to keep it closed. She’s just short of eleven years old. The knowledge of her place in the succession has so far been kept from her. Look at the chart, she is told. Her uncle the king George IV is gravely ill. He cannot live long. Who will come next?

What follows is one of the best-known and most dramatic scenes in Victoria’s life. Sitting at the rosewood table in Kensington Palace where she did her lessons, she studied the chart, thought it through and worked it out. When her oldest uncle George died, her next oldest uncle William would take over. And when he died, she must herself become queen.

‘I see I am nearer the throne than I thought,’ Victoria is supposed to have said. ‘I will be good!’

It would become the most celebrated statement of Victoria’s childhood, rousing words, with a message of responsibility and duty: one must step up to the challenge of ruling one’s country, as well as learning one’s French.

But did it really happen?

One detail at least is agreed by all sources: that the setting was Kensington Palace. It was the sleepiest and most sedate of the numerous royal palaces. Kensington was ‘a place to drink tea’, by contrast to Windsor Castle – ‘a place to receive monarchs’ – and Buckingham Palace, where you went ‘to see fashion’. During Victoria’s Kensington childhood, anyone going for a walk ‘quietly along the gardens, fancies no harsher sound to have been heard from the Palace windows, than the “tuning of the tea-things”’, or the playing of a piano.

Behind closed doors, though, the atmosphere at Kensington was far from peaceful. Victoria would come to believe it was not so much a palace as a prison. Deep in the gardens, she was growing up in isolation. Her guardians deliberately kept her well away from both the greedy eyes of her future subjects, and the disreputable, high-society world of George IV. She was comfortable, she was well-fed, she had toys. But she was also under considerable psychological strain. She formed the center of a small and close-knit circle whose adoration placed her under what was sometimes intolerable pressure.

Into this pressure-cooker of adulation came the bracing influence of Johanna Clara Louise Lehzen. She’d arrived at Kensington in 1819 as Feodore’s governess. Five years later, Victoria was old enough to need a governess of her own. Prince Leopold, still giving financial help to his sister’s household, decided that Lehzen should do the job. Although he did not live at Kensington, his influence was very great. Victoire had £6,000 a year, voted by Parliament at the time of her marriage. Leopold, though, had £50,000 annually, a wildly generous provision made at the time of his short-lived marriage to the late Princess Charlotte. The wider royal family considered that Leopold could easily bear some of the living costs of his sister and niece. Yet leaving Leopold to shoulder the financial responsibility like this meant that the royal family also sacrificed a good deal of their own power over Victoria. Because he paid for things, Victoria would become almost the property, indeed the puppet, of her beloved ‘Uncle Leopold’.

And Leopold now chose Lehzen. This was partly because he thought she would be a counter-influence against Captain Conroy, who controlled much of what went on at Kensington, and whom Leopold distrusted. ‘Lehzen’, as the household called her, was an intense character, with dark-eyed, dark-haired ‘Italian’ looks, and a disordered digestion. She’d say that she ‘did not know the feeling to be hungry’ – something that would later cause trouble with her pupil – and that all she ever ‘fancied were potatoes’. She suffered from migraines, which some people misinterpreted as a drinking problem. It was family tragedy that had forced Lehzen to find work as a governess. She was the youngest daughter of a pastor in Hanover; her mother had died when she was young, and three of her sisters had also passed away before reaching twenty. Lehzen was born the wrong side of the scenes to sit down at table with aristocrats and courtiers, and was eventually made a baroness to eliminate the difficulties in etiquette that this caused.

Lehzen had the self-discipline, plus the selfless dedication, that her position demanded. But she considered the job offer that Leopold made (via Victoire) very carefully before accepting. ‘After a short silence,’ Lehzen recollected of the interview, ‘I said that I had often thought of the great difficulties which such a person might have to encounter in educating a Princess. As a condition of her service, Lehzen asked that she might always be present when Victoria met third parties, so that her influence would be paramount. Although Victoria met few outsiders, this did not mean that she spent much time alone. Every aspect of her progress through girlhood was kept constantly under watch. ‘I never had a room to myself,’ Victoria claimed in later life, ‘till I was nearly grown up always slept in my Mother’s room.’ Victoria told one of her own children that she was not even allowed to walk downstairs unaccompanied in case she fell. Even when she walked out in Kensington Gardens, the young princess felt, people constantly ‘look at me … to see whether I am a good child’.

As she was already living at Kensington Palace, Lehzen must have been aware that her charge would be difficult to manage. The celebrated fiery temper of the Hanoverian dynasty was already visible in the little girl: people called her ‘le roi Georges in petticoats’. ‘Did she not feel unhappy when she had done wrong?’ a tutor once asked her. ‘Oh no,’ Victoria replied. Her mother Victoire was still finding all this very difficult. Her younger daughter ‘drives me at times to real desperation’, she admitted.

Victoire watched Victoria so closely and carefully because of the legitimate fear that despite her late husband’s will, George IV might at any time try to remove her daughter from her care. Previous kings had always made their own educational arrangements for their heirs, and precedent was everything in the royal family. George IV’s personal dislike of Victoire meant he was constantly ‘talking of taking her child from her’.

The lonely Victoire, with her debts and responsibilities and grief, was scatterbrained and prone to making poor judgments of character. But she redeems herself with her charm and warmth, and clearly loved her children. ‘Her kindness and softness,’ it was said of her, ‘are very delightful in spite of want of brains.’ She was gradually learning the language of her adopted country, but still apologized to visitors ‘for not speaking English well enough to talk it’. This is one of the reasons she had grown so dependent upon Captain Conroy.

Victoire never wrote – nor presumably spoke – quite as a native. Did she, therefore, talk to her daughter in German? The unpopularity of the German Hanoverians in Britain explains Victoria’s own later insistence that she did not. ‘Never spoke German … not allowed to,’ she stoutly claimed. Her schoolroom timetable does reveal, however, that she had a formal German lesson twice a week. And the German accents of Victoria’s mother, Lehzen and Späth did certainly affect her spoken English. Her tutor Mr. Davys, brought in to supplement Lehzen with more formal lessons, recollected that at first ‘she confused the sound of the “v” with that of “w”, and pronounced much as muts.’

It must have been hard for Victoire when her own daughter began to talk about ‘my angelic dearest Mother, Lehzen, who I do so love!’ But a coldness was gradually creeping into Victoire’s relationship with Victoria, not least because Victoria had picked up on her Uncle Leopold and Lehzen’s distrust of Captain Conroy. ‘I have grown up all alone,’ Victoria later declared. This was not technically true; it was more that she felt alone. In reality, she was constantly surrounded not only by servants but also, as time went on, by Conroy’s family. His wife was a frequent visitor, and his daughters, Jane and another Victoire, became Victoria’s approved playmates. With them, she played with rudimentary jigsaws called ‘dissected prints’, made cottages out of cards, dressed up as ‘Nuns’ or ‘Turks’ or rode upon a pony called Isabel. It doesn’t sound like a lonely life, but the loneliness that she experienced stemmed from the fact that her intimates were chosen for her.

Conroy, for his part, had insinuated himself completely into Victoire’s confidence. It’s clear that he was adept at exploiting her lack of self-belief. ‘So often, so very often,’ she confessed to him, ‘what you said so often and what hurt me, but unhappily is true, I am not fit for my place, no, I am not. – I am just an old stupid goose.’ Victoire also worried that Conroy had appointed a rather dubious clerk to pay the palace bills. She later admitted that ‘she was afraid of him – he might be dishonest’. Victoire’s own vagueness confused and irritated Conroy in return. ‘The Duchess lives in a mist,’ he said, ‘and therefore she is very difficult to deal with.’

By early 1830, when Victoria was ten, it was clear that George IV – blind, obese, addicted to laudanum and hiding away at Windsor – was dying. Lehzen has left a description of her pupil in early adolescence. ‘My Princess,’ as Lehzen calls her, ‘is not tall, but very pretty, has dark blue eyes, and a mouth which, though not tiny, is very good-tempered and pleasant, very fine teeth, a small but graceful figure, and a very small foot.’59 Victoria’s minuscule feet were well displayed in the pretty, flat, ribboned pumps of contemporary fashion. At the age of fifteen, her foot would be 21.3 centimeters long, making her, in modern terms, a British size two.

It was George IV’s impending death that eventually made it clear that the truth of Victoria’s position must be revealed to her. William, Duke of Clarence, and his wife Adelaide (from the double wedding at Kew) were next in line to reign. But the tragic early deaths of their four children meant that when William took the crown, Victoria would become his heir presumptive. This she needed to know.

There are two rival accounts, Lehzen’s and Mr. Davys’s, of how she learned of her future fate, and 11 March 1830 is the most likely date. Yet each witness has a self-serving desire to claim the honor of having announced her destiny to the little girl, and their accounts are incompatible.

Mr. Davys later told his son that he had been the one to reveal her future to Victoria. During lessons, he says, he had ‘set her to make a chart of the kings and queens. She got as far as “Uncle William”, before coming to a stop.’ Who, Mr. Davys asked, was the next heir to the throne? ‘She rather hesitated, and said, “I hardly like to put down myself.”’ According to Lehzen, though, it was she, not Mr. Davys, who slipped a ‘chronological table’ of the kings and queens of England into Victoria’s history book. Possibly this was a well-known teaching aid called ‘Howlett’s Tables’. ‘When Mr. Davys was gone,’ Lehzen reminisced, years later, ‘Princess Victoria opened, as usual, the book again and seeing the additional paper said: “I never saw that before.”’
‘It was not thought necessary you should, Princess,’ Lehzen answered.

‘I see I am nearer to the Throne than I thought,’ Victoria declared. Lehzen next produces a record of a speech that is quite frankly implausible for a little girl. ‘Many a child would boast,’ Victoria is supposed to have said, ‘but they don’t know the difficulty; there is much splendor, but there is more responsibility!’

In Lehzen’s sentimental – and highly Victorian – version of the scene, Victoria then raised her right forefinger, as if making an oath. She ‘gave me that little hand’, Lehzen continued, saying the words that everyone remembers.

‘I will be good!’ the princess promised.

It seems too good to be true, a parable told by a fond governess that shows both teacher and pupil in the best possible light. Yet Victoria, reading this account years later, certainly recollected that something along those lines had indeed occurred. She noted her own memory of the day in the margin of Lehzen’s account: ‘I cried much,’ she records, on learning that she would be queen, ‘and ever deplored this contingency.’

On 13 March 1830, Victoire reported to the Bishop of London that her daughter knew all, and that there had been no stage management by Lehzen or Davys and their family trees and exhortations. ‘What accident has done,’ Victoire wrote, ‘I feel no art could have done half so well … we have everything to hope from this Child!’

And Victoire gains credibility as a witness if you look at the dates on which the various accounts were written. Lehzen’s and Davys’s were set down years later, deep into Victoria’s reign, when each was eager to claim a legacy in the formation of her character. I think that we have, after all, to trust the daffy duchess’s account from just two days after the event, and accept that one of the most dramatic scenes in Victoria’s life – ‘I will be good!’ – was merely dramatic license.

The Duchess of Kent’s educational arrangements also had another advantage. Victoria’s curious upbringing, despite the strain it placed upon her, despite her hostility to Captain Conroy, would turn out to be an excellent strategy in terms of public relations. Her childhood seclusion meant that she could, in due course, be presented to her people as a most interesting young lady.

The most interesting young lady, in fact, that the world contained.

Interested in more from Lucy Worsley? Listen to an excerpt of the Queen Victoria audiobook:


LUCY WORSLEY is a historian, author, curator and television presenter. Lucy read Ancient and Modern History at New College, Oxford and worked for English Heritage before becoming Chief Curator of Historic Royal Palaces. She also presents history programs for the BBC and is the author of several bestselling books, including Courtiers: the Secret History of the Georgian CourtCavalier: The Story of a 17th Century Playboy, and more. She lives in London, England.

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Posted in Modern History

A Long Tale to Tell: Crime and Imprisonment in the United States

by Tony Platt

In the United States, there is a long history of police violence and failed attempts to counteract it. Beyond These Walls offers a far-ranging exploration that tracks the legacy of crime and imprisonment, from the historical roots of the American criminal justice system to our modern state of over-incarceration, and offers a bold vision for a new future. Author Tony Platt, a recognized authority in the field of criminal justice, challenges the way we think about how and why millions of people are tracked, arrested, incarcerated, cataloged, and regulated in the United States. Keep reading for an exclusive essay from the author.

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Posted in Modern History

An American Journalist Under Castro’s Shadow

by David Ariosto

For David Ariosto, the island of Cuba is an intriguing new world, unmoored from the one he left behind. From neighboring military coups, suspected honey traps, salty spooks, and desperate migrants to dissidents, doctors, and Havana’s empty shelves, Ariosto uncovers the island’s subtle absurdities, its Cold War mystique, and the hopes of a people in the throes of transition. Beyond the classic cars, salsa, and cigars lies a country in which black markets are ubiquitous, free speech is restricted, privacy is curtailed, sanctions wreak havoc, and an almost Kafka-esque goo of Soviet-style bureaucracy still slows the gears of an economy desperate to move forward.

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